film review
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‘Daas Dev’ film review: Devdas in reverse equals a film off the rails
Nandini Ramnath
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‘Beyond the Clouds’ film review: A tale of hope and redemption that stays firmly out of grasp
Nandini Ramnath
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‘A Quiet Place’ film review: A perfectly horrified scream of silence
Aakash Karkare
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‘The Florida Project’ review: A moving portrait of a childhood on the margins of the America Dream
Aakash Karkare
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‘Ready Player One’ film review: Virtual thrills but no real stakes
Aakash Karkare
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‘Baa Baaa Black Sheep’ film review: No sir, no sir
Nandini Ramnath
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‘Kuldip Patwal: I Didn’t Do It!’ film review: We don’t care who did either
Nandini Ramnath
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‘Union Leader’ film review: The chains slip off too easily in this labour drama
Nandini Ramnath
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‘My Birthday Song’ film review: Avoid this guilt trip
Nandini Ramnath
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‘The Post’ film review: A blast from the past that speaks to the present
Udita Jhunjhunwala
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‘Paddington 2’ film review: As hard to resist as English marmalade
Nandini Ramnath
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‘The Greatest Showman’ film review: Great songs but not enough awesomeness
Nandini Ramnath
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‘Star Wars: The Last Jedi’ film review: A wonderful space saga that leaves you wanting more
Udita Jhunjhunwala
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‘Monsoon Shootout’ film review: One moment and several endings in a clever morality game
Nandini Ramnath
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‘Fukrey Returns’ film review: A sequel that makes an incomprehensible plot even more absurd
Udita Jhunjhunwala
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‘Borg McEnroe’ film review: The players are in better form than the story of their rivalry
Nandini Ramnath
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‘Firangi’ film review: Why so serious, Kapil Sharma?
Nandini Ramnath
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‘Wonder’ film review: Keep the hankies handy for this moving fairy tale
Nandini Ramnath
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‘Murder on the Orient Express’ film review: A high-speed version of Agatha Christie’s famous novel
Nandini Ramnath
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‘Ajji’ film review: Child rape drama takes the easy way out
Nandini Ramnath